Tag Archives: anne r allen

About This Writing Stuff…

This month, we begin with Rebecca Jennings’s article from Vox on the importance of TikTok to a creative’s chances of success followed by a rebuttal from publishing industry expert Jane Friedman.

From Good Story Company, Kristen Overman challenges us to try journaling as a route to a solid first draft and Amy Wilson shows us how to describe emotions through action, dialogue, and deep POV.

Speaking of deep POV, Lisa Hall-Wilson at Writers in the Storm expands on that topic while Lynette M. Burrows explains the differences between tension, suspense, and conflict.

On Anne R. Allen’s blog, guest Jodie Hurst addresses the pros and cons of that 800-pound digital gorilla in the room—artificial intelligence.

All that and a little more. Happy St. Patrick’s Day!

Want to sell a book or release an album? Better start a TikTok by Rebecca Jennings

Author Platform is Not a Requirement to Sell Your Novel or Children’s Book by Jane Friedman

How to Describe Emotion by Amy Wilson

Journaling to Productive First Drafts by Kristen Overman

After Your First Draft: The Search for Meaning by Patti Callahan Henry

Beguile Your Readers with Tension, Suspense, and Conflict by Lynette M. Burrows

How to Remove the Author Voice for Deep Point of View by Lisa Hall-Wilson

Don’t Kill Your Darlings by Philip Athans

Substack is Both Great and Terrible for Authors by Jane Friedman

How to Make Your Writing More Sensitive – and Why it Matters by Melissa Haun

It’s the Age of AI: How to Survive and Thrive as a Writer by Jodie Hurst via Anne R. Allen

 

 

 

About This Writing Stuff…

This month, book consultant and developmental editor Mary Kole encourages writers to diversify their skills in the age of AI. Now that self-publishing is no longer a “new thing,” Anne R. Allen advises indie writers on how to keep expectations grounded.

Kristen Lamb reviews the Johari Window and how it can be used as a tool for character and story development. Over at the Write Practice, Joe Bunting gives us a detailed lesson on first and third person points of view.

Fantasy writer Philip Athans defends the adverb—with some caveats—and, along with PJ Parrish, provides guidance on the skillful use of description in narrative.

All that and much more. Enjoy!

The Irrelevance of the Modern Writer by Mary Kole & Good Story Company

The Über Skill for Writers by Tiffany Yates Martin

How to Write the Beginning of a Novel by Rhiannon Richardson

How to Tighten Your Midpoint Twist by Ley Taylor Johnson

Is an Unpublishable Book Worth Writing? by Lory Widmer Hess

Is Self-Publishing a Good Choice for Authors in 2024? by Anne R. Allen

Adverbs Are Fine! by Philip Athans

Describe Characters as You Go Along by Philip Athans

How Much Description Does Your Book Need? by PJ Parrish

The Johari Window & Character Blind Spots by Kristen Lamb

How to Get Your Plot Arcs Working Together by Chris Winkle

Ninety-Nine Words to Seek and Destroy by Chris Winkle

Fresh Perspective Sells by Kathryn Craft

Types of Point of View: The Ultimate Guide to First Person & Third Person POV by Joe Bunting

 

About This Writing Stuff…

This month, Philip Athans explores the concept of originality in fiction while Chris Winkle shows us how we can effectively suspend disbelief in our readers.

Kristen Lamb explains the benefits of book reviews to an author’s career (seriously, I could always use more!) while Garry Rogers illustrates how the Feynman Learning Technique can help us with plotting.

At Writer Unboxed, the inimitable Kathryn Craft delves into vulnerability while Desmond Hall discusses suspense at the story and sentence level.

All that and much more. Enjoy!

How to Write a Ghost Story by Amy Holland

Desmond Drops: Suspense from the Beginning, Suspense in the Middle, and Suspense at the Sentence Level by Desmond Hall

How to Plan a Successful Book Launch in 10 Steps by Geri Mileva

The Importance of Tone in Writing by Anne R. Allen

On “On Originality” by Haruki Murakami by Philip Athans

7 Ways to Access Vulnerability by Kathryn Craft

“Can’t Put the Book Down” by Dale Ivan Smith

Plot Your Story Using the Feynman Learning Technique by Garry Rodgers

Book Reviews: Why They Matter So Much by Kristen Lamb

Audiences Don’t Suspend Disbelief – We Do it for Them by Chris Winkle

Print-on-Demand Publishing? KDF vs IngramSpark: One Author’s Experience by Paul Benjamin

NEA Finds Worrying Drop in Reading Participation by Jim Milliot

How Has Big Publishing Changed American Fiction? by Kevin Lozano

About This Writing Stuff…

This week, take some lessons in suspense from the master himself, Alfred Hitchcock.

Speaking of lessons, Amy Wilson and Anne R. Allen offer advice about writing effective dialogue while Maggie Smith teaches us several ways to make our secondary characters stand out. Over at Mythcreants, Chris Winkle discusses passive voice and how to create a story outline.

The nice folks at Good Story Company show us how to build a better author website and at BookBub, it’s all about promotion and crafting a captivating book description.

All that and a little more. Enjoy!

Using Dialogue Tags Effectively by Amy Wilson

Electrify Your Thriller with These Tips from the Master of Suspense, Alfred Hitchcock by Dana Isaacson

Writing Under a Pseudonym by Good Story Company

How to Write a Book Description: Tips from BookBub Editors by Lauren Aldrich

What Fiction Writers Should Know About Passive Voice by Chris Winkle

How to Outline Your Story by Chris Winkle

From Sidekick to Scene-Stealer: Making Your Secondary Characters Memorable by Maggie Smith

Who Should Be Telling This Story? by Jeanne Kisacky

9 Common Dialogue Problems and How to Fix Them by Anne R. Allen

10 Author Websites and Why They Work by Good Story Company

12 Fantastic BookBub Ad Designs Promoting New Releases by Shailee Shah

25 Authors Running Fantastic Book Promotions on Instagram by Shailee Shah

About This Writing Stuff…

This week, we spotlight BookBub with articles about gaining followers, growing your readership, how BookBub’s auction model works, and strategies for using ads on their platform.

Becca Puglisi, co-author of the Emotion Thesaurus, offers tips on how to create insecure characters while Sarah Gribble provides a guide to writing horror. Do you know who your target audience is? If not, Amy Wilson has some advice for you.

All that and a little more, including a few discussions about Ray Bradbury. Enjoy and Happy St. Patrick’s Day!

What’s Autofiction? Should You Fictionalize the Story of Your Life? by Anne R. Allen

Point of View: What’s the Best Choice? by Jami Gold

Honing Your Author Voice by Heather Webb

BookBub Ads 101: How the Auction Model Works by AJ Jack

Using BookBub Ads to Drive Series Sell-Through by AJ Jack

Who is My Target Audience? by Amy Wilson

How to Write a Novel Synopsis from Good Story Company

How to Write Horror: 8 Crucial Components to Terrify and Delight by Sarah Gribble

Ray Bradbury and Roald Dahl by David Boaz

10 Tips for Growing a Global Audience of Readers by Mark Leslie Lefebvre

Can Writing Heal Physical Pain? by Sue Coletta

In Favor of Present Tense Writing by Rhiannon Richardson

Writing Insecure Characters by Becca Puglisi

14 Ideas for Getting More BookBub Followers by Diana Urban

The Sideshow Magician Who Inspired Ray Bradbury—Then Vanished by Erik Ofgang

About This Writing Stuff…

This week, Kristen Lamb asks, “Would you STILL write even if I told you you’d never make a dime and likely die in obscurity?” Something to ponder as you embark on your writing journey.

Christina Delay explains how to clear our creative “ley lines” when we’re feeling blocked while Anne R. Allen encourages us to create (or resurrect) a blog rather than relying on the train wreck that is social media.

James Scott Bell helps us avoid sinkholes in our plot, Dave King speaks out in defense of the prologue, and Oren Ashkenazi points out typical mistakes when writing fight scenes—both with and without weapons.

All that and much more! Enjoy…

The Prologue is Past? by Dave King

Finding Those Laser Beam Words by PJ Parrish

To the Pain: Is Writing a Career or a Hobby? by Kristen Lamb

Three Things That Can Sink Your Novel by James Scott Bell

Creativity: Avoiding Blocks and Refreshing Ideas by Christina Delay via Jami Gold

Five Common Weapon Mistakes in Speculative Fiction by Oren Ashkenazi

Six Common Mistakes in Fight Scenes and How to Avoid Them by Oren Ashkenazi

7 Tips from Ernest Hemingway on How to Write Fiction by Open Culture

Stephen King’s 20 Rules for Writing by Open Culture

Blogging is Essential in the Era of Fragmenting Social Media by Anne R. Allen

Honey, I Shrunk the Plot! Learning to Love Synopses by Diana Giovinazzo

The Art of Misdirection: How to Keep Readers on Their Toes by Maggie Smith

TikTok to Sell Books Directly to Users via Marketplace by Arwa Mahdawi

BookBub Ads 101: How the Auction Model Works by AJ Jack