Tag Archives: jane friedman

About This Writing Stuff…

This month, we begin with Rebecca Jennings’s article from Vox on the importance of TikTok to a creative’s chances of success followed by a rebuttal from publishing industry expert Jane Friedman.

From Good Story Company, Kristen Overman challenges us to try journaling as a route to a solid first draft and Amy Wilson shows us how to describe emotions through action, dialogue, and deep POV.

Speaking of deep POV, Lisa Hall-Wilson at Writers in the Storm expands on that topic while Lynette M. Burrows explains the differences between tension, suspense, and conflict.

On Anne R. Allen’s blog, guest Jodie Hurst addresses the pros and cons of that 800-pound digital gorilla in the room—artificial intelligence.

All that and a little more. Happy St. Patrick’s Day!

Want to sell a book or release an album? Better start a TikTok by Rebecca Jennings

Author Platform is Not a Requirement to Sell Your Novel or Children’s Book by Jane Friedman

How to Describe Emotion by Amy Wilson

Journaling to Productive First Drafts by Kristen Overman

After Your First Draft: The Search for Meaning by Patti Callahan Henry

Beguile Your Readers with Tension, Suspense, and Conflict by Lynette M. Burrows

How to Remove the Author Voice for Deep Point of View by Lisa Hall-Wilson

Don’t Kill Your Darlings by Philip Athans

Substack is Both Great and Terrible for Authors by Jane Friedman

How to Make Your Writing More Sensitive – and Why it Matters by Melissa Haun

It’s the Age of AI: How to Survive and Thrive as a Writer by Jodie Hurst via Anne R. Allen

 

 

 

About This Writing Stuff…

This month, book consultant and developmental editor Mary Kole encourages writers to diversify their skills in the age of AI. Now that self-publishing is no longer a “new thing,” Anne R. Allen advises indie writers on how to keep expectations grounded.

Kristen Lamb reviews the Johari Window and how it can be used as a tool for character and story development. Over at the Write Practice, Joe Bunting gives us a detailed lesson on first and third person points of view.

Fantasy writer Philip Athans defends the adverb—with some caveats—and, along with PJ Parrish, provides guidance on the skillful use of description in narrative.

All that and much more. Enjoy!

The Irrelevance of the Modern Writer by Mary Kole & Good Story Company

The Über Skill for Writers by Tiffany Yates Martin

How to Write the Beginning of a Novel by Rhiannon Richardson

How to Tighten Your Midpoint Twist by Ley Taylor Johnson

Is an Unpublishable Book Worth Writing? by Lory Widmer Hess

Is Self-Publishing a Good Choice for Authors in 2024? by Anne R. Allen

Adverbs Are Fine! by Philip Athans

Describe Characters as You Go Along by Philip Athans

How Much Description Does Your Book Need? by PJ Parrish

The Johari Window & Character Blind Spots by Kristen Lamb

How to Get Your Plot Arcs Working Together by Chris Winkle

Ninety-Nine Words to Seek and Destroy by Chris Winkle

Fresh Perspective Sells by Kathryn Craft

Types of Point of View: The Ultimate Guide to First Person & Third Person POV by Joe Bunting

 

About This Writing Stuff…

Nice to hear from a few writer friends on the blog this month. Sara Karnish reminds us about proper critique etiquette and discusses the writer/editor relationship with Pattie Giordani.

It is said that your focus determines your reality. That applies to fictional characters as well. However, there are occasions in real life when we deliberately ignore or avoid something unpleasant. Writer pal Kathryn Craft shows us effective ways to depict that in our characters.

Over at Good Story Company, Amy Wilson draws a distinct line between editing and revision while Kristen Overman delves into the “chosen one” trope and how to ensure your hero is up to the task.

Struggling with book marketing? With a writing drought? With imposter syndrome? We got you covered on all three this month.

All that and a little more. Enjoy!

Follow the Energy of Denial by Kathryn Craft

Chosen One Stories: Is Your Hero Worthy of the Journey? by Kristen Overman

How Right Do Your Characters Have to Be? by Terry Odell

How to Give a Critique (Without Being Too Critical) by Sara Karnish

I Would Rather See My Books Pirated Than This (Or Why Goodreads and Amazon are Becoming Dumpster Fires) by Jane Friedman

How to Market Your Books to Get Worldwide Exposure by Diana Urban

How Authors Use Preorders to Promote New Books in 2023 by AJ Yee

5 Things Influencers Look for in a Book by Ryan Steck

5 Ways to Survive a Publishing Drought by Katrina Kittle

The Difference Between Editing and Revising by Amy Wilson

The Author/Editor Relationship: A Q&A with Pattie Giordani by Sara Karnish

How to Escape Imposter Syndrome in Your Writing Life by Lynette M. Burrows

 

 

About This Writing Stuff…

This week, Dave Chesson reviews the pros and cons of Draft2Digital’s services while Chuck Wendig expresses concern about the current literary landscape with a focus on AI and book bans.

At Mythcreants, Chris Winkle reminds us that the hero of our story should always have agency, even when things go sideways.  Elisa Bernick advises new writers on the right and wrong ways to approach established authors for advice while the nice folks at Good Story Company offer tips on marketing your books to libraries.

Over at BookBub, we have a trove of information on book promotion covering topics such as pre-orders, contests and giveaways, and attracting new readers.

All that and a little more. Enjoy!

Draft2Digital: Read THIS Before You Sign Up by Dave Chesson

Marketing to Libraries by Good Story Company

Giving Your Hero Agency When Things Go Wrong by Chris Winkle

Origin Stories and Big Reveals: Do We Really Need Them? by Barbara Linn Probst

Let’s Chat About ChatGPT by James Scott Bell

6 Ways Clichés Can Help Your Writing by Kathryn Craft

Striking Hollywood Scribes Ponder AI in the Writer’s Room by Mandalit del Barco

The State of Being a Published Writer in 2023 is Really Weird and a Little Worrisome by Chuck Wendig

The Right Way to Ask a Published Writer for Publishing Advice by Elisa Bernick

24 Great Prize Ideas for Book Promotion Contests and Giveaways by Leila Hirschfeld

11 Ways to Promote Preorder Books that Drive Real Results by Therese Walsh

BookBub: Promoting a New Book to Current Fans and New Readers [Case Study] by Carolyn Robertson

 

 

About This Writing Stuff…

This month, personal experiences come into play as Kathryn Craft reminds us to cultivate a productive and fulfilling writing life, Gwen Plano examines different aspects of character diversity, and Scott Hines creates meaningful connections on social media.

In the marketing department, Jan Sikes delves into BookTok while AJ Jack offers seven methods for analyzing reader habits. Want to know more about the book-to-screen process? Literary agents Allison Hunter and Jennifer Weltz give us the low down.

All that and a lot more. Enjoy!

The Book that Tore Everyone Apart by Gaby Hinsliff

The Fight Between Authors and Librarians Tearing Book Lovers Apart by Pranshu Verma

How Are Books Adapted for the Screen? Two Agents Demystify the Process by Sangeeta Mehta

Transparency in Slush: The Wizard Behind the Curtain by AJ Cunder

Dear Writer: Advice on Cultivating Connection in the Internet Age by Scott Hines

Fill Your Writing Life by Kathryn Craft

7 Clever Ways Authors Can Learn More About Readers Online by AJ Jack

8 Sequence Structure: The Best-Kept Screenwriting Secret by Britton Perelman

#MKTG 17 – TikTok by Jan Sikes

Characters and Diversity Part I: Race by Gwen M. Plano

Characters and Diversity Part II: Wealth by Gwen M. Plano

Characters and Diversity Part III: Physical Ability by Gwen M. Plano

 

About This Writing Stuff…

This week, screenwriter Taika Waititi weighs in with morsels of screenwriting (and storytelling) wisdom. Niesha Davis explains the value of sensitivity readers while Allison Williams provides guidance on the effective use of social media. Speaking of which, Philip Athans ponders how much writers need to reveal about themselves online.

Over at Career Authors, Erin Flanagan offers guilt-free advice for those burned out on writing and Paula Munier reviews the rules on POV and how to break them with authority.

All that and a lot more. Enjoy!

Craft a Killer Fantasy Premise Using Good versus Evil by Amy Wilson

What Do Our Readers Need to Know About Us? by Philip Athans

Sweet Emotion by James Scott Bell

10 Pieces of Screenwriting Wisdom from Taika Waititi by Ken Miyamoto

Hiding Your Villain in Plain Sight by Sarah Penner

Being the Boss of Your Author Business by Karen A. Chase

The Daring Writer’s Guide to Point of View by Paula Munier

Burnt Out on Writing? 5 Tips for a Productive Break by Erin Flanagan

Nine Ways to Describe Your Viewpoint Character by Chris Winkle

Writers, Stop Using Social Media (Like That) by Allison Williams via Jane Friedman

Don’t Self-Publish a Book Before Answering These Crucial Questions by J.J. Hebert

Ten Years of Self-Publishing (2012-2022) by Alliance of Independent Authors

What to Expect When Hiring a Sensitivity Reader by Niesha Davis via  Leigh Shulman’s blog.