This week, Anne R. Allen reminds us that a story is more than just a series of disjointed, tragic episodes. Brian Andrews encourages us to use strong opening lines while Dana Isaacson, Barbara O’Neal, and Kim Bullock offer ideas for writing through these disconcerting times.
Jami Gold lists various ways a character’s occupation can be used to enhance a story and Terry Odell urges us to foreshadow some of our character’s skills before revealing them in a pivotal scene.
All that and a little more. Enjoy!
Promoting Your Sci-Fi or Fantasy Novel on Social Media by Erica Verrillo
The Biggest Writing Craft Issue New Novelists Face, and 7 Ways to Avoid It by Anne R. Allen
How to Write a Powerful, Enticing, Intriguing, Amazing Opening Line for Your Novel by Brian Andrews
How to Write (or Not Write) about the Pandemic by Dana Isaacson
How to Write During a Pandemic, Even if it Feels Like You Can’t by Barbara O’Neal
What’s Our Character’s Job? by Jami Gold
If They Buy the Premise by Terry Odell
Description Makeover: Creating Magical Atmosphere by Chris Winkle
Crime Fiction is Complicit in Police Violence—But It’s Not Too Late to Change by Aya de Leon
Trademarks and the Writer’s Brand Strategy by Matt Knight
Writing Througnh Turbulent Times: Using Uncertainty to Enhance Your Story by Kim Bullock
A Plotstorming Technique by Jan O’Hara
In this fourth and final installment of Jack Vance’s Planet of Adventure series, astronaut Adam Reith is nearly finished construction on a spaceship that will allow him to escape the dangerous world of Tschai and return to Earth. It has been at least a year since Reith crash landed on the planet when his scout ship was shot down while attempting to land.
In a time when cryo-technology allows the recently deceased to maintain brain activity for years in cold storage, successful businessman Glen Runciter consults with his late wife, Ella, who has been dead for over two decades. Glen and Ella manage a company that employs a team of anti-telepaths with a unique ability to seek out and neutralize telepaths who pose a danger to society.
American astronaut Adam Reith, stranded on the alien planet Tschai for at least a year and desperate to return to Earth, has no choice but to find a way to build a new spaceship from scratch. The scout ship in which he and his late colleague, Paul Waunder, crashed on Tschai was long ago confiscated by one of the alien races and stripped for its technology. Reith’s previous two attempts to acquire a ship failed (as chronicled in City of the Chasch and Servants of the Wankh).
