Tag Archives: science fiction

Farpoint 2023 Recap

Farpoint’s 30th anniversary has come and gone and it was a fantastic weekend filled with amazing cosplayers (far more than pictured below), lively discussion panels, cooperative weather, and most importantly, quality time with friends.

Vintage Paperbacks
Treasures from the dealer room at Farpoint.
Saturday Night at the Writers Lounge
Saturday Night in the lounge with Keith DeCandido, Russ Colchamiro, Glenn Hauman, Christopher D. Abbott, Mary Fan, Danielle Ackley-McPhail, Wrenn Simms, Michael Jan Friedman, Phil Giunta, Jonathan Roth. Out of frame: Heather Hutsell and Aaron Rosenberg
Blair Learn and the Famous Farpoint Snow Shovel
Blair Learn and the Famous Farpoint Snow Shovel
Horse on Wall
It’s those horses in every hotel room. They stare… neigh, they judge. Neigh, I say!
Captain Phasma
Photo credit: Blair Learn
The Guinans
Photo credit: Paul Balze
Andorian
Photo credit: Danielle Ackley-McPhail
Star Trek: First Contact
Star Trek: First Contact
Toy Story
Photo credit: Laura Inglis
Dumb and Dumber and The Mask!
Dumb and Dumber and The Mask!
Evil Queen
Photo credit: Danielle Ackley-McPhail
Carmen San Diego meets Seven of Nine
Carmen Sandiego meets Seven of Nine
Admiral Kirk - Star Trek: The Motion Picture
Photo credit: Blair Learn
Admiral Kirk - Star Trek II
Admiral Kirk – Star Trek II
Captain Avatar
Captain Avatar – Starblazers

 

About This Writing Stuff…

It has been three weeks since my last blog post. How the hell did that happen? Well, I’ve been stretched thin as of late with my FT job, a few expensive home renovations, health problems, managing eBay auctions (the time has come to downsize), and yes, writing projects.

I have a short story in progress for a contest, the second draft of my SF novel awaits my attention after that, and I’m waiting to hear back from two small presses on short stories I submitted to them. I’m also scheduling a book signing or two for a speculative fiction anthology I just released with a group of fantastic writers and I’m reviewing a presentation on self-editing that I wll be giving to a local writers group on Monday evening (24 May).

However, the fact that I’ve been neglecting my blog has been gnawing at me, so here we go!

This week, Steve Hooley reviews several sites for serialized fiction, including Kindle Vella, while Jodie Renner discusses close and deep third person POV.

Mary Alice Monroe and KL Burd use fiction to raise awareness of environmental issues and social issues, respectively, while Philip Athans offers advice on blending SF, fantasy, and horror. James Scott Bell provides tips on increasing productivity, Terry Odell delves into crafting character descriptions, and Kathryn Craft wages war against the lame apology.

All that and much more. Enjoy!

Serialized Fiction and Vella – What Do You Think? by Steve Hooley

Tips for Deepening the POV in Your Fiction by Jodie Renner

Weaving Real-Life Environmental Issues into Your Fictional World by Mary Alice Monroe

Fantasy and/or Science Fiction and/or Horror by Philip Athans

The Five Things You Need When Writing a Mystery Novel by Melodie Campbell

6 Practical Business Tips for Authors to Market Their Story of Success by Taylor Payne

7 Tips for Producing More Words by James Scott Bell

Character Descriptions Part I by Terry Odell

Character Descriptions Part II by Terry Odell

Why Bookshop.org is Not the Savior the Book World Needs by Ellen Peirson Hagger

The Magic Number by Todd Sattersten

Legal Protection for Fictional Characters by Matt Knight

Kick Your Story Up a Notch by Knowing Your Character’s Conflict Style by Kelsey Allagood

Unapologetic Characterization by Kathryn Craft

Incorporating Social Issues Into Your Manuscript by KL Burd

 

About This Writing Stuff…

This week, Ken Miyamoto discusses five categories of SF and Fantasy worldbuilding while Anne R. Allen lists several reader pet peeves that writers should avoid.

Kris Calvin and Philip Athans provide their points of view on writing multiple points of view, Brian Andrews concludes his lesson on crafting believable action scenes, and Penny Sansevieri offers strategies for book marketing and author branding.

All that and a little more. Enjoy!

The Craft and Rules of Worldbuilding in Science Fiction and Fantasy by Ken Miyamoto

Three Things Your Query Letter Needs to Stand Out by Lucinda Halpern via Anne R. Allen

How to Avoid Writing Stuff Readers Hate by Anne R. Allen

30+ Ideas for Bite-Sized Book Marketing by Penny Sansevieri

Writing from Multiple Points of View by Kris Calvin

Whose POV Should it Be? by Philip Athans

How to Write Amazing Action Scenes (Part 2 of 2) by Brian Andrews

5 Great Tips: A Beginner’s Guide to Author Branding by Penny Sansevieri

Make Your Protagonist an Actor by Kathryn Craft

7 Awesome Foreshadowing Tips for Fiction Writers by Mia Botha

 

 

About This Writing Stuff…

This week, Melodie Campbell offers advice on how to save that sagging middle in your novel while Penny Sansevieri shows you how to optimize your Amazon Author Central page.

Jennie Nash provides a short checklist of common mistakes that might land your manuscript in the rejection pile and Jami Gold explores how our characters can drive the narrative—despite our best laid plans.

Esther Jones extols the benefits of reading SF and fantasy,  Julie Glover defends the practice of editing as you go, and Donald Maass helps us to understand how to develop a meaningful narrative.

All that and a little more. Enjoy!

My Novel is as Mess: How to Survive the Chaos Point in Your Novel by Melodie Campbell via Anne R. Allen

Science Fiction Builds Mental Resiliency in Young Readers by Esther Jones

5 Quick Fixes for Making the Most of Author Central (and Why it Should be a Top Priority) by Penny Sansevieri

Do Your Characters Take on a Life of Their Own? by Jami Gold

In Defense of Editing as You Go by Julie Glover

The Secret to More Efficient Revision: Pattern Recognition by Jennie Nash

The Meaning of Meaning by Donald Maass

The Art of Condensing an Entire Book into a Brief Sales Pitch by Florence Osmund

Six Common Problems with Short Stories by Oren Ashkenazi

The Rich Can’t Hide from a Plague. Just Ask Edgar Allan Poe by Maya Phillips

About This Writing Stuff…

This week, Christopher Cybusz explains what it means to write SF today. Lynn Steger Strong ponders whether you can afford to be a writer without the help of other people’s money while Anne R. Allen cites idiotic advice offered to new writers.

Joslyn Chase and Gabriel Valjean discuss, respectively, five writing rules and styles to learn… before you attempt to break them. Jami Gold reminds us that just as we were helped by mentors or other resources in our writing journey, we should take the time to pay it forward.

Over at the Write Practice, Joe Bunting defines the inciting incident and the denouement and provides examples of each. Oh, and Simon & Schuster is up for sale if anyone has a few bucks to spare.

All that and a little more. Enjoy!

How to Write Science Fiction by Christopher Cybusz

Local Bookstores Have a New Weapon in the Fight with Amazon by Joan Verdon

A Dirty Secret: You Can Only Be A Writer If You Can Afford It by Lynn Steger Strong

Clueless Advice People Give New Writers: 10 Things to Ignore by Anne R. Allen

Five Writing Crimes and How to Get Away With Them by Gabriel Valjean

Five Writing Style Tips to Make Your Writing Stronger by Joslyn Chase

How Can Writers Pay It Forward? by Jami Gold

Simon & Schuster is Up for Sale by Edmund Lee and 

Denouement: Definition and Examples of the Literary Term by Joe Bunting

Inciting Incident: Definition, Examples, Types, and How to Start a Story Right by Joe Bunting

Power Up Your Prose with Rhetorical Devices by Suzanne Purvis via Janice Hardy

 

 

 

 

Book Review: Murray Leinster’s Space Tug

Space Tug by Murray LeinsterJoe Kenmore and his crew, astronauts with the Space Exploration Project, have been assigned to deliver supplies and defensive weapons to the Platform, mankind’s first space station.

Orbiting 4,000 miles above the Earth, the Platform was constructed solely by the United States after the United Nations had rejected the proposal. As a result, the Platform is now targeted by enemy nations suspicious as to its true purpose. Expeditions to and from the Platform are under constant threat of attack by ground to space missiles—which is precisely what happens to Kenmore and crew.

After some quick thinking and imaginative solutions, they manage to thwart the bombardment and safely arrive at the Platform only to be met with scorn by the Platform’s lead scientist, Doctor Sanford. Shortly after Kenmore and his crew unload the supplies, Sanford, on the verge of a mental breakdown under the constant threat of death, attempts to kill everyone aboard the Platform. After a second ship arrives carrying Sanford’s replacement, U.S. Navy Commander Brown, Kenmore and crew depart in their ship while some of the Platform’s crew escort Sanford off in another.

As both vessels approach the Earth’s surface, Sanford’s ship is promptly destroyed by enemy fire while Kenmore and crew narrowly evade destruction. Once back at base, Kenmore is informed that Space Exploration Corporation has been contracted by the U.S. government to build a Moonship. If the vessel survives the journey, the moon will become United States territory. Will Kenmore and his crew be the first men to venture to Earth’s as-yet unexplored satellite?

In terms of plot, Space Tug is a step above the typical young adult SF adventures of the 1950s. Although most of the conflict is external to the protagonist, Murray Leinster delivers surprising moments of depth in Joe Kenmore and his crew—Haney (whose first name is never revealed), native American Chief Bender, and the “midget” Mike Scandia—all of whom are depicted as technically savvy and scientifically literate. In fact, due to his size, Scandia is the most skilled among them in zero-gravity maneuvering—a fact in which he vociferously revels.

There is little fluff in this story, aside from a slight romance brewing between Kenmore and Sally Holt, daughter of Major Holt, the base commander. The pacing is fast, the tension is constant, and there is just enough technical jargon as to provide a sense of authenticity and verisimilitude.