Category Archives: Writing and Publishing

About This Writing Stuff…

It’s been over a year since I shared a curated collection of articles on writing and publishing.  When I started this blog, About This Writing Stuff was a monthly feature, then quarterly, then whenever I could get to it as life became increasingly hectic. I can’t promise that these will be posted on a regular schedule again, but I’ll do my best.

From the folks at Career Writers, we get tips on writing backstory without info dumping, using an unreliable narrator, and crafting a memoir from traumatic memories.

Kristen Lamb explains why your characters deserve to make choices and deal with the consequences. She also analyzes how AI can be used—and misused—in our field.

From Mythcreant Chris Winkle, we get six easy lessons on how to keep your characters in danger and an overview of six different styles of prose.

All that and much more. Enjoy!

The Art of Deceit: Crafting a Novel With an Unreliable Narrator by Dana Isaacson

Excavating Buried Memories for Memoir by Mimi Nichter

3 Ways to Write Effective Backstory by Jessica Strawser

New Writers, Are You Making These 4 Mistakes? by Anne R. Allen

How Not to Write Your Novel by James Scott Bell

Bookshop.org Partners with Draft2Digital by Debbie Burke

Why Choice—Not Talent—Drives Great Stories by Kristen Lamb

If AI Loves Your Writing, Be Very VERY Worried by Kristen Lamb

Which of These Six Prose Styles Are You Writing? by Chris Winkle

Six Ways to Keep Characters in the Danger Zone by Chris Winkle

What Publishing Contracts Won’t Tell You (Especially Small Press Contracts) by Matt Knight

How to Make Use of Incidental Characters by Kathryn Craft

So Random by Donald Maass

 

A Thorne in Time

In early 2024, Ann Stolinsky of Celestial Echo Press invited seven writers, myself included, to be headliners for an anthology called Ruth and Ann’s Guide to Time Travel.  Aside from one reincarnation story, I had never written a true time hopping tale before. This old familiar trope has been done so often, and from so many angles, that I was intimidated by the challenge.

Nevertheless, I began thinking about how time travel could be used as crime prevention and that led me to write a tale that partners a physicist with a detective to stop a serial killer before he gets started.  “A Thorne in Time” went on to win first place in the Pennsylvania Press Club Communications Contest in 2025. I hope you enjoy the opening scene. Thanks for reading!


A Thorne in Time

by Phil Giunta

Captain Garrett McNally straightened his tie as he marched along the concrete walkway that led from the driveway to the front of the sprawling Thorne Mansion. The weed-infested gardens and overgrown lawn clashed with his memory of the last time he stepped foot on this property twelve years ago. Every inch of the place had been immaculate then—a paradise at the edge of the city.

Its luster had since faded and McNally couldn’t help but wonder if that began the moment he informed Robert and Emily Thorne that their daughter, Tanya, had been the latest victim of a serial killer at the tender age of twenty-two. Robert suffered a fatal stroke a few days later and Emily lost her battle with cancer six years after that. As far as McNally knew, Tanya’s twin sister Noreen still lived here, alone.

He jogged up the steps to the portico where two dead plants in mold-covered cement pots flanked a weathered mahogany door in dire need of a cleaning and new finish. He rang the camera doorbell. A few seconds later, a form undulated in the frosted privacy glass before the door swung open. McNally had expected to be greeted by a woman in her mid-thirties, but Noreen’s salt and pepper hair, tired eyes, and drawn complexion lent her the appearance of someone much older.

“Ms. Thorne. It’s been a long time.”

“So long in fact that it’s Doctor Thorne now. Nice to see you again, Captain. Please, come in. I appreciate you driving all the way out here so soon after I called. Can I get you anything? Water, coffee…?”

“No, thank you. I’m good. When you said you had new information regarding the Westside Slasher case, I cleared the rest of my day.”

“Well, I hope to make it worth your time.” She closed the door behind him. “Let’s go to my office. So, how’s your daughter these days?”

“Darla’s doing well. Joined a new law firm not too far from here. Still misses Tanya. Talks about her once in a while.”

“They were closer than anyone realized back then.”

She led him down a short hallway to a room with four large monitors mounted in a square formation above a cluttered desk. They were connected to a single laptop by a tangle of cables and adapters.

Thorne tapped the space bar. Every screen lit up, each with a video file ready to play. “I must ask you to indulge me, Captain. Twelve years ago, the first victim of the Westside Slasher was Sarah Peretti. Do you recall his sixth and final victim?”

“Of course.” McNally cocked his head. “It was your sister.”

“Are you sure about that?” She grabbed the mouse and clicked the play button on the first screen. An anchorman with Channel 14 News shifted in his seat. “The sixth victim of the Westside Slasher has been identified as twenty-eight-year-old Mae Kaplan of Roycetown. Kaplan worked for MacHale Medical Center, just three blocks from where she was attacked and stabbed seven times. Police are—”

Thorne stopped the video.

“That’s not right.” McNally frowned. “I don’t recognize that name and as the detective on the case, I remember every victim.”

“What about this one?” Thorne launched the video on the second monitor.

“The sixth victim of the Westside Slasher has been identified as twenty-one-year-old Hailey Mahlberg of Bartlett Village,” the same anchorman reported. “Mahlberg was a senior at Declan University—”

“Hailey Mahlberg was the third victim not the last one,” McNally said. “What is this?”

“As I said, Captain, indulge me.” Thorne slid the mouse to the third screen and clicked play.

“The sixth victim of the Westside Slasher has been identified as thirty-year-old Deb Webb, a mother of three and math teacher at Upper Carlton Middle School. Police are—”

“Are these deepfakes? Did you use AI to fabricate them?”

“I don’t have access to that kind of technology.” Thorne folded her arms and leaned against the desk. “Even if I did, I wouldn’t use it to disrespect these women, especially since my sister was one of them. What you watched are three videos from three different timelines.”

“Come again?”

“I don’t have the tools to make deepfakes, Captain, but what if I had something that could help you stop the Westside Slasher before he claimed his first victim?”

McNally snickered. “Like what, a time machine?”

***

“A more accurate term would be time portal. Beautiful, isn’t it?”

In the center of Thorne’s sub-basement lab, McNally gaped at the gray metal arch that stood floor to ceiling. Several pairs of colored cables wrapped around its thick metal framework, terminating in scattered sockets where small green and amber lights pulsed and flashed. A shimmering, translucent field of pale blue filled the span beneath the arch. Across the room, four monitors were mounted on the wall above a long white counter, reminiscent of the office upstairs.

McNally paced around the arch, examining every detail, before shooting a sidelong glance at Thorne. “You gotta be kiddin’ me.”

“It’s no joke, Captain. Those videos I showed you were the result of my three failed attempts to save Tanya’s life in the past, which spawned three alternate timelines. Originally, she was the slasher’s second victim. Each time I traveled back, I managed to steer her out of harm’s way only for her to be murdered somewhere else a few days later. In the process, the list of victims always changed.”

McNally rubbed his forehead as the reality of Thorne’s words set in. “So every move you made had a kind of butterfly effect.”

“Right, but where you and everyone else remembers only the final sequence of murders—the current timeline—I remember all four timelines, perhaps because I was tethered to the time portal. The computers in the house are all connected to the arch, which allowed me to save the videos I showed you from each timeline.”

“How long did it take you to build this?”

“It was my father’s invention. He spent two decades designing it and working out the math before constructing the arch. All he wanted to do was explore history, but he died before the portal was finished. So, I dedicated the past twelve years to learning the science behind it and making a few upgrades.”

“How does it work?”

“I could show you fifty-five pages of equations.” From the pocket of her cardigan, Thorne produced a small device with a screen displaying several rows of icons, similar to a phone. Its edges glowed with the same blue light as the arch. “Or we could just take a trip.”

“You control your time travels with that?”

“Correct again. I leave through the arch and when I need to return, this handheld controller generates a portal back to it. I have two of these devices, should you decide to help me.”

“I’m listening.”

“Regardless of the changes in the timelines, a few things remained the same. The first victim was always Sarah Peretti, you were the detective assigned to the case, the murders stopped after six, and the killer was never caught. Now we have the perfect opportunity to stop this bastard before he even gets started.”

“You want me to go with you twelve years into the past and catch the Westside Slasher before he becomes the Westside Slasher?”

“That about sums it up.”

McNally laughed. “This is insane.”

“Captain, when you came here twelve years ago to tell us that my sister had been murdered, I peppered you with questions about whether you had any suspects or witnesses or any leads at all. Do you remember what you told me?”

“I couldn’t say much. It was an open investigation. Technically, it still is. But I believe I said I wouldn’t give up until I found the killer.”

“I’m offering you that chance now, Captain. Please help me save my sister.”


Read the conclusion of “A Thorne in Time” and other fantastic tales in Ruth and Ann’s Guide to Time Travel!

Ruth's and Ann's Guide to Time Travel

New Video Newsletter is Up on YouTube!

A new episode of my video newsletter is up in which I chat about Lehigh Valley Comic Con, Easton Book Festival, Witches Day Out, and Creatures, Crimes, and Creativity Con.
I also read excerpts from my stories, “In the Span of a Heartbeat” published in Black Cat Weekly (Issue 176, January 2025) and “Isaac Geary’s Instant Utopia” published in Bright Mirror (Oddity Prodigy Productions, May 2025).
One correction: I mention that the Lehigh Valley Comic Con has one-day shows every “August and July.” That should be every August and December. I blame lack of sleep.
Illustration for Phil's short story "In the Span of a Heartbeat"

New Video Newsletter on YouTube!

My YouTube channel was experiencing abandonment issues given that my last video newsletter was over three months ago. YIKES! Since I had the day off, I recorded a brief update show today in which I prattle for 20 minutes about recent publications and awards, review a book about Harlan Ellison and a book by Harlan Ellison, and plug two upcoming events in my neck of the woods.

Click the image below to watch the video and thank you for supporting independent authors!

About This Writing Stuff…

This month, Steven H. Wilson discusses some of the elements that comprise a gripping novel while Joe Bunting schools us on the use of rising action in storytelling.

Secrets are revealed over at Career Authors as Tiffany Yates Martin explains the four habits of successful authors, Tracy Clark shares five tips on pacing, and Sharon Short offers strategies for writing from first person POV.

Speaking of POV, third-person omniscient is still alive and well and  that sagacious “mythcreant” Chris Winkle shows us how to use it effectively.  She also shows us ways in which exposition can be used to evoke emotion.

All that and a little more. Enjoy and Happy Holidays!

What Makes a Good Story? by Steven H. Wilson

What Third-Person Omniscient POV is and How to Master It by Chris Winkle

What is Didactic Literature? Have we Outgrown it? by Robert Harrell

4 Survival Skills of Highly Successful Authors by Tiffany Yates Martin

Wait for it! Five Secrets to Perfect Pacing by Tracy Clark via Hank Phillippi Ryan

Six Secrets to Writing from the First Person Point of View by Sharon Short

Nine Things to Consider Before Giving Up on Your Book by Penny C. Sansevieri

Rising Action: Definition and Examples of This Dramatic Structure Element by Joe Bunting

What If You’re Writing Novellas? Now What? by Tara Deal via Jane Friedman

How to Use Exposition to Evoke Emotion by Chris Winkle

 

About This Writing Stuff…

This month, Emily Inkpen explains why context is as important as motive and conflict and why the consequences of trauma must be addressed in character-driven narratives.

Crystal King serves up a lesson on the importance of food and drink in world building, Ellen Buikema shows us how to develop well-rounded characters by including their hobbies and interests, and Kathryn Craft reminds us that even bad novels have something to teach us.

Looking for a writing prompt? Sarah Gribble encourages us to try pictures (personal note: I’ve done this twice and one of the stories was nominated for a Pushcart Prize) while Kelley J. P. Lindberg coaches us through writing those torturous loglines.

All that and a lot more writerly knowledge. Enjoy!

Why Context is Key in Character-Driven Narratives by Emily Inkpen

Why Trauma MUST be Recognised in Character-Driven Narratives by Emily Inkpen

Food and Drink as Essential Elements in Fiction by Crystal King

4 Questions to Strengthen Lean Manuscripts by Lisa Fellinger via Jane Friedman

5 Reasons to Use Pictures as Writing Prompts by Sarah Gribble

6 Ways Reading Bad Novels Can Make Good Writers by Kathryn Craft

7 Important Things I Wish Every Writer Knew by Rachel Toalson

Words of Wisdom on Writer’s Block by Dale Ivan Smith

How Characters’ Hobbies and Interests Affect the Narrative by Ellen Buikema

Pacing in Writing: 10 Ways to Master Pace and Keep Your Readers Riveted by Joslyn Chase

Loglines—One-Sentence Torture Devices for Writers by Kelley J.P. Lindberg

Draft2Digital 2024 AI Training Survey Results by Kris Austin