Tag Archives: kill zone

About This Writing Stuff…

This week, we focus more on craft than business. From Good Story Company comes advice on writing authentic female characters, enticing opening lines, and effective descriptions.

Jami Gold reviews the different types of character arcs and how they can be applied to short stories.  Over at Mythcreants, Chris Winkle delves into the use of foreshadowing and also explains why realism has no place in fiction.

From Writer Unboxed, John J. Kelley shows us how social events can be used to help with character and plot development while Kim Bullock offers self-care advice for writers during trying times.

All that a lot more. Enjoy!

Writing Descriptions by Good Story Company

Writing Female Characters by Amy Wilson

3 Ways to use AI for Screenwriting (Other Than Writing a Bad Script) by Ken Miyamoto

Writing the Opening Line by Rhiannon Richardson

Using TikTok to Promote Your Writing by Ellen Levitt

Short Stories: Can They Still Have Character Arc? by Jami Gold

Traditional or Self-Publishing – That is the Question by Rod Martinez

Subtext – Guest Post by Karen Albright Lin via Debbie Burke on Kill Zone

The Why and How of Foreshadowing by Chris Winkle

10 Things to Know About BookBub Readers [Infographic] by Carlyn Robertson

Handling Editorial Feedback without Getting Overwhelmed by Tessa Barbosa

Self-Care for Writers in a Pseudo-Dystopian World by Kim Bullock

The Big Event – Using Social Occasions to Elevate Your Story by John  J. Kelley

Why Realism is Toxic to Fiction by Chris Winkle

The Last Word: Epilogues by Sophie Masson

 

About This Writing Stuff

This week, Kathryn Craft provides strategies for managing POV in your story while James Scott Bell discusses the three types of “mirror moments” in fiction.

Chris Winkle encourages writers to simplify their stories for improved reader experience. Looking for better ways to build suspense? Tracy Clark has a few tips for you.

With language AI gaining attention, Erma Clare examines ChatGPT as a story development tool for writers and Joe Bunting reviews the ten types of stories and their underlying values.

All that and a bit more. Enjoy!

A Copy-Editing Checklist for Novelists by Dana Isaacson

Writing for Theater and Film by Carina Jaramillo*

How to Write an Optimized and High-Converting Book Description by Rob Kosberg

4 Ways to Organize Your Third-Person POVs by Kathryn Craft

5 Strategies I Use to Launch New Books on Kindle Unlimited by Nicholas Harvey

6 Tips for Building Suspense by Tracy Clark via Hank Phillippi Ryan

How Promo Stacking Helps Authors Hit Bestseller Lists by Diana Urban

Put a Funhouse Mirror in the Middle of Your Mystery by James Scott Bell

Managing Exposition Starts With Simplifying the Story by Chris Winkle

Friend or Foe: ChatGPT Has Pushed Language AI into the Spotlight by Erma Clare

An Anxiety Episode Changed My (Dis)Belief in Writer’s Block by Kathryn Magendie

How to Use Scars to Deepen Characterization by Sue Weems

The Ten Types of Stories and How to Master Them by Joe Bunting

*Special thanks to youth services librarian and educator Chloe Pederson and her student, Anna, for alerting me to this one. Who would have thought a home theater furniture store would offer such a helpful blog?

 

About This Writing Stuff…

This week, Kristen Lamb asks, “Would you STILL write even if I told you you’d never make a dime and likely die in obscurity?” Something to ponder as you embark on your writing journey.

Christina Delay explains how to clear our creative “ley lines” when we’re feeling blocked while Anne R. Allen encourages us to create (or resurrect) a blog rather than relying on the train wreck that is social media.

James Scott Bell helps us avoid sinkholes in our plot, Dave King speaks out in defense of the prologue, and Oren Ashkenazi points out typical mistakes when writing fight scenes—both with and without weapons.

All that and much more! Enjoy…

The Prologue is Past? by Dave King

Finding Those Laser Beam Words by PJ Parrish

To the Pain: Is Writing a Career or a Hobby? by Kristen Lamb

Three Things That Can Sink Your Novel by James Scott Bell

Creativity: Avoiding Blocks and Refreshing Ideas by Christina Delay via Jami Gold

Five Common Weapon Mistakes in Speculative Fiction by Oren Ashkenazi

Six Common Mistakes in Fight Scenes and How to Avoid Them by Oren Ashkenazi

7 Tips from Ernest Hemingway on How to Write Fiction by Open Culture

Stephen King’s 20 Rules for Writing by Open Culture

Blogging is Essential in the Era of Fragmenting Social Media by Anne R. Allen

Honey, I Shrunk the Plot! Learning to Love Synopses by Diana Giovinazzo

The Art of Misdirection: How to Keep Readers on Their Toes by Maggie Smith

TikTok to Sell Books Directly to Users via Marketplace by Arwa Mahdawi

BookBub Ads 101: How the Auction Model Works by AJ Jack

About This Writing Stuff…

It’s been three months since I gathered a collection of informative articles here, something that was once a monthly feature on this blog. My life took an unexpected and disquieting detour in September which affected my health and my writing. I’m struggling to put both back on track as we head into the new year, but for now…

Philip Athans thinks there should be a little bit of Harlan Ellison in all of us and I agree. Harlan remains one of my literary heroes.

Kristen Lamb warns us against self-sabotage in all its forms while over at Good Story Company, Mary Kole offers advice on dealing with criticism.

Anne R. Allen encourages believability over realism in our fiction, Jami Gold explains the differences between foreshadowing and spoilers, and Amanda Patterson shows us how to use motifs.

All that and much more. Enjoy!

Maybe We Should All Be More Like Harlan Ellison by Philip Athans

How to Deal with Negative Criticism by Mary Kole

Self-Sabotage: I Don’t Deserve Success by Kristen Lamb

5 Tips to Boost Your Professional Writing Cred by Lori Freeland

7 Ways Public Readings Can Help Your Writing by Kathryn Craft

Revise for Success – A Stree-Free Plan for Polishing Your Novel by Jodie Renner via Anne R. Allen

Why Realism is Irrelevant in Fiction: Aim for Believability Instead by Anne R. Allen

How to Enhance Contrast In Your Writing by Jessica Strawser

Foreshadowing vs. “Spoilers”: What’s the Difference? by Jami Gold

Do You See Dead People? by PJ Parrish

How to Motivate Yourself to Write and Finish Your Novel by Lorna Faith

What is a Motif in Fiction? by Amanda Patterson

About This Writing Stuff…

This week, Anne R. Allen warns us against career-killing marketing tactics, Ruth Harris shows authors how to build a better bio, and Beth Barany provides strategies for developing characters and plot.

At Writer Unboxed, Kathryn Craft offers sage advice on handling copy edits while over at the Kill Zone, James Scott Bell helps us determine when our book is ready for prime time.

Angela Ackerman explains how to use setting as more than a mere backdrop and my favorite article of this batch is Lauren Sapala’s timely (for me) discussion of the paralyzing stress that can occur when writers become too “attached to outcome.”

All that and a little more. Enjoy!

How Bad Marketing Can Destroy Your Author Brand, Lose Friends, and Influence Nobody by Anne R. Allen

How to Plan, Write, and Develop a Book: Word Count Goals for the Three Acts of Your Novel, Memoir, or Non-Fiction Book by Mary Carroll Moore

6 Ways Your Author Bio Can Help You Sell Books by Ruth Harris

Top Digital Marketing Takeaways from U.S. Book Show 2022 by AJ Jack via BookBub

Copy Edits: To Challenge or Concede? by Kathryn Craft

When Is Your Book Ready to be Published? by James Scott Bell

7 Essential Tips to Plan Your Novel Like a Pro by Beth Barany via Anne R. Allen

Serialization Rights for Traditional and Self-Published Authors by Matt Knight at Sidebar Saturdays

Publishing Contracts 101: Beware Internal Contradictions by Victoria Strauss at Writer Beware

Setting Description Mistakes that Weaken a Story by Angela Ackerman

Stressed About Your Writing? What’s Really Going On (and How to Get Over It) by Lauren Sapala

 

 

About This Writing Stuff…

This week, screenwriter Taika Waititi weighs in with morsels of screenwriting (and storytelling) wisdom. Niesha Davis explains the value of sensitivity readers while Allison Williams provides guidance on the effective use of social media. Speaking of which, Philip Athans ponders how much writers need to reveal about themselves online.

Over at Career Authors, Erin Flanagan offers guilt-free advice for those burned out on writing and Paula Munier reviews the rules on POV and how to break them with authority.

All that and a lot more. Enjoy!

Craft a Killer Fantasy Premise Using Good versus Evil by Amy Wilson

What Do Our Readers Need to Know About Us? by Philip Athans

Sweet Emotion by James Scott Bell

10 Pieces of Screenwriting Wisdom from Taika Waititi by Ken Miyamoto

Hiding Your Villain in Plain Sight by Sarah Penner

Being the Boss of Your Author Business by Karen A. Chase

The Daring Writer’s Guide to Point of View by Paula Munier

Burnt Out on Writing? 5 Tips for a Productive Break by Erin Flanagan

Nine Ways to Describe Your Viewpoint Character by Chris Winkle

Writers, Stop Using Social Media (Like That) by Allison Williams via Jane Friedman

Don’t Self-Publish a Book Before Answering These Crucial Questions by J.J. Hebert

Ten Years of Self-Publishing (2012-2022) by Alliance of Independent Authors

What to Expect When Hiring a Sensitivity Reader by Niesha Davis via  Leigh Shulman’s blog.