Tag Archives: phil giunta
About This Writing Stuff…
This week, Anne R. Allen explains the need for sensitivity readers and the consequences of disregarding them. Also on Anne’s blog, Stefan Edmunds presents The Adversity Cycle as a method for storytelling.
On the Screencraft blog, Ken Miyamoto offers advice on how to secure a manager and agent for your screenplay and David Young shows us effective ways to describe our characters beyond mere physical appearance.
At Career Authors, Brian Andrews delves into methods for managing backstory while Erica Ferencik provides valuable guidance on navigating the writing life. Kathryn Craft and Barbara Linn Probst discuss ways to breathe life into our secondary characters.
All that and a little more. Enjoy!
Screenwriting Basics: How to Sign with a Manager (and Agent) by Ken Miyamoto
7 Unusual Ways to Describe Characters in Your Screenplay by David Young
The Difference Between Jeff Bezos and Me by Bradley Graham
The Adversity Cycle by Stefan Edmunds via Anne R. Allen
Writers, Do You Need a Sensitivity Reader for Your Book? by Anne R. Allen
3 Successful Strategies to Write a Short Story by Sarah Gribble
4 Tips for Writing Backstory by Brian Andrews
11 Hard-Earned Lessons from Three Decades of Writing by Erica Ferencik
Are You Drowning Your Story in Your Imagery? by Dave King
Secondary Characters Deserve a Life of Their Own by Kathryn Craft
Secondary Characters with Purpose and Pzazz by Barbara Linn Probst
About This Writing Stuff…
This week, Anne R. Allen warns us against critiques that do more harm than good while Amanda Bennett takes a graphical approach to story structure.
C.S. Lakin encourages us to be the Foley artists of our fiction, Sarah Gribbles delves into the elements of compelling short stories, and Matt Knight reviews basics of copyright law.
Jaime Herndon and Adam Gabbatt address the alarming rise in book burning and book banning, respectively.
All that and a little more. Enjoy!
10 Dangerous Critiques: Beware Bad Writing Advice by Anne R. Allen
Copyright Basics for Writers by Matt Knight
How I Came Up with My Story Structure Mash-Up by Amanda Bennet
US Conservatives Linked to Rich Donors Wage Campaign to Ban Books from Schools by Adam Gabbatt
Draft2Digital Acquires Smashwords by Kevin Tumlinson
Rereading Fahrenheit 451 in an Age of Mass Censorship by Jaime Herndon
Grab the Popcorn and Improve Your Novel by Wendall Thomas
How to Use Framing Devices in Fiction by Heather Webb
How to Effectively Bring Sounds into Your Fiction by C.S. Lakin
What is a Satire and How Do I Write One? by Susanne Bennett
Elements of a Short Story by Sarah Gribble
About This Writing Stuff…
This week, Kristen Overman shows us what active dialogue is all about while Anne Hawley analyzes how our brains process exposition.
Over at BookBub, Diana Urban offers ideas for unusual book marketing, promoting sequels, and using social media effectively while avoiding burnout. At Writer Unboxed, Donald Maass has seen the gods, monsters, and murderbots and they are us!
Clayton Noblit and Lauren McLean prognosticate on what’s ahead in publishing this year and Michael Ventrella provides an astonishing example of how NOT to handle a story rejection.
All that and a little more. Enjoy!
How to Write Active Dialogue by Kristen Overman
Gods, Monsters, and Murderbots by Donald Maass
Too Much Information: Exposition and the Reading Brain by Anne Hawley
FBI Arrests Man Who Allegedly Stole Book Manuscripts and Defrauded Hundreds by Deepra Shivaram
Authors on Social Media: Choosing Platforms & Avoiding Burnout by Diana Urban
6 Out of the Box Marketing Ideas You HAVE to See by Diana Urban
12 Clever Ideas for Promoting Sequels or Later-Series Books by Diana Urban
The Top Eight Publishing Trends for 2022 by Clayton Noblit
2022 Publishing Predictions from Literary Agent Laurie McLean via Anne R. Allen
How Not to Accept a Rejection by Michael A. Ventrella
List of 234 Interesting Character Quirks presented by YourDictionary
Onward to the New Year, Whatever It Might Bring
About This Writing Stuff…
After a two-month hiatus, About This Writing Stuff is back. What was once a bi-weekly blog post became monthly and now it happens whenever I can get to it. As I’m working on a new novel, blogging has fallen off the radar… mostly. Onward!
This week, the folks at MasterClass provide tips and examples for writing an effective novel synopsis while over at Screencraft, Ken Miyamoto warns against embellishing your screenwriting creds until you have legitimate screenwriting creds.
Speaking of creds, Liza Nash Taylor and Patricia Bradley offer advice on getting your work out there whether submitting or promoting. Hank Phillippi Ryan discusses proper etiquette when requesting a book blurb, Chris Winkle teaches best practices when using foreshadowing, and Joslyn Chase reviews writing techniques in the mystery, suspense, and thriller genres.
All that and a little more. Happy Holidays!
What is a Novel Synopsis? Here are Two Examples by MasterClass Staff
3 Most Common Screenwriter Exaggerations, White Lies, and Embellishments by Ken Miyamoto
How to Tell a Story: The Rule of Three by Anne R. Allen
How to Handle the Blurb Thing by Hank Phillippi Ryan
Getting Your Book Noticed by Patricia Bradley
Foreshadowing Reveals is Easier Than You Think by Chris Winkle
Street Cred: Getting Your Work Noticed by Liza Taylor Nash
Uses for Scrivener Beyond Your Manuscript by Gwen Hernandez
Genre Conventions: How to Satisfy Suspense Readers by Meeting Expectations by Joslyn Chase
How to Use Vivid Verbs to Bring Your Scenes to Life by J.D. Edwin