This week on the blog, Ceridwen Dovey expounds the concept of “bibliotherapy” and the restorative power of reading fiction. Kristen Lamb encourages writers to be secret-keepers… and to get more rest. Jami Gold explains what it means to add layers to your characters and Anne R. Allen councils us against worrying too much about plot purloiners.
Over at Career Authors, Paula Munier cites three mistakes by debut writers that potentially exasperate agents and editors while Glenn Miller advises us on how to be trustworthy writers. C.S. Lakin offers tips on preparing your scenes, Sarah Chauncey talks effective use of POV in memoir, and from Mythcreants, Chris Winkle enumerates six manuscript mistakes that a copy editor might (or might not) help you fix.
Enjoy!
Can Reading Make You Happier? by Ceridwen Dovey
Secret-Keepers: Generate Page-Turning, Nerve-Shredding Tension and Rest for Success and Why Busy is Seriously Overrated by Kristen Lamb
Make Characters Unique with Layering by Jami Gold
What if Somebody Steals Your High-Concept Book Idea? by Anne R. Allen
Are You Making One of These Risky Moves for Writers? by Paula Munier
This is What Happens When You Stop Lying to Readers by Glenn Miller
Questions to Consider When Plotting a Scene by C.S. Lakin via Jane Friedman
The Tricky Issue of POV in Memoir by Sarah Chauncey via Jane Friedman
Six Common Wordcraft Mistakes in Manuscripts by Chris Winkle
Two thousand years in the future, the solar system is united under the monarchy of the Isher family. To keep the government in check and ensure against tyranny, a guild known as the Weapon Shops has for generations provided technologically advanced arms to the citizens and maintained a close watch on imperial affairs. Naturally, this arrangement often sets guild and government at odds with one another.
In this sequel to the original Cosmos, Carl Sagan again reminds us of the intrinsic human desire to wander, and expands on many of the social and scientific topics discussed in the 1980 television series and accompanying book. Here, Sagan begins with primitive humans migrating across the planet for survival as much as to push the boundaries of a given frontier. From there, Sagan offers a personal anecdote, describing the hardships of his grandparents’ life in Eastern Europe and their fretful immigration to the United States.
On Moose-Lookit Island off the coast of Maine, a reporter from The Boston Globe fails in his attempt to elicit any undocumented tales of the bizarre from Vince Teague and Dave Bowie, owners and editors of The Weekly Islander newspaper. This later sparks a conversation between the two elderly men and their lovely young intern, Stephanie McCann.
