Category Archives: New Releases

Kickstarter Updates – FREEDOM’S BLOOD and LIKE MOTHER, LIKE DAUGHTERS

Steven H. Wilson and I are just over a week into our Kickstarter campaign to fund the publication of our double horror novella, which includes Steve’s vampire tale, FREEDOM’S BLOOD and my paranormal mystery, LIKE MOTHER, LIKE DAUGHTERS featuring Miranda Lorensen (from my novels By Your Side and Testing the Prisoner).

The book will be formatted in the style of the classic ACE Doubles where you read one story, then flip the book over to read the other.

Each week during the campaign, we’ve posted excerpts from both novellas over on the Firebringer Press website. For the past two weeks, we presented the opening scenes from LIKE MOTHER, LIKE DAUGHTERS. This week, we posted the same for FREEDOM’S BLOOD. More updates are forthcoming, including excerpts from some of the books we’re offering as rewards for your donations.

We hope you enjoy these story samples and will consider donating to our campaign so we can bring you this exciting new book!

Like Mother, Like Daughters Book Cover

Ghosts, Vampires, and American History…

Ghosts, Vampires, and American History… brought to you by Firebringer Press!

Writer and publisher Steven H. Wilson and I are excited to announce the upcoming combined release of Steve’s vampire novella FREEDOM’S BLOOD with my paranormal mystery, LIKE MOTHER, LIKE DAUGHTERS in the format of the classic ACE doubles (read one story, flip the book over and read the other). Today, we launched a 30-day Kickstarter campaign to help bring this book to fruition by late November 2018.

LIKE MOTHER, LIKE DAUGHTERS sees the return of psychic-medium Miranda Lorensen from my novels By Your Side and Testing the Prisoner while FREEDOM’S BLOOD introduces a vampire like none you’ve ever encountered.

Please click here to learn more. Our goal is only $750 to cover the cost of cover art, editing, set-up fees, etc. We’re offering several reward levels including ebooks, signed paperbacks (including backlist titles), story critiques, and a membership to the Farpoint SF convention in February.

Please spread the word to anyone who might be interested. Thank you for supporting small press authors!

Like Mother, Like Daughters Book Cover

Debut Novel: FROM THE DARKNESS by Dawn Sooy

I’d like to welcome Dawn Sooy, fellow member of the Greater Lehigh Valley Writers Group (GLVWG) and chair of the Write Stuff Writers Conferences in 2018 and 2019.

Dawn provides a personal glimpse into her terrible struggle with depression—the basis for her debut novel, From the Darkness, available right now on Amazon.  

What’s it about?

From the Darkness-Front CoverSome 15 million Americans struggle with depression, an illness that comes in many forms. This complex disorder interferes with concentration and motivation; disrupts sleep, causes fatigue and in some cases, leads to suicide. When a person has severe depression, they may have disturbing beliefs—hearing and seeing things others do not. From the Darkness is based on the true story of Lizbeth, a woman suffering from this silent disease. For some unknown reason, a happy family outing turns into a downward spiral for Lizbeth; alienating her husband and children, placing her in a black turmoil.

What inspired the story?

When I was a teenager, I started journaling. I found putting words, my thoughts, my feelings, on paper was comforting. A journal is a friend that never judges you, so I made one rule—never lie to the journal. And as a wild teenager, the journal had some pretty wild stories. I still journal to this day.

In 2004, I was diagnosed with depression. Bob, my husband, noticed changes in me that I could not see myself. He wanted me to seek help, which I ignored until the day I acted like a crazy person in the parking lot of a restaurant. My families reaction and my reaction to this episode forced me to seek professional help. I was diagnosed with depression and in my ignorance, thought of myself as a looney-tunes, psycho, etc. You get the picture. At this time, the medication prescribed was enough to bring me out of depression.

Years later, stress at work pushed the depression to resurface. It engulfed me. Blackness surrounded me every day of my life. The medication no longer worked. Crying spells popped up in the most inconvenient of times. I was self-destructive and my doctor had no choice but to put me in the hospital. My husband took over and initiated the paperwork that would place me on disability from work. And yet, throughout this time, I kept journaling.

The roughest period of depression began in 2012. This was the year I quit my job at a place I despised, but instead of feeling better, my depression dragged me into a black hole. 2012 was one of the worst periods of time where my illness consumed me until I felt I was no longer a person. I stopped eating and slept most of the day and night. I cared about nothing.

It wasn’t until 2014 that I started to join the everyday world. I read a book and when I finished I sat back and thought, I wish I had the talent to be a writer. During one of my therapy sessions, I mentioned this to my psychologist and she indicated one of her other patients belonged to a writers group. This lead me to join GLVWG, and I felt that I had arrived; I had somehow found I place I belonged.

During this time, I had a few short stories published and Nanowrimo rolled around. I decided to engage in this and wrote my novel during this month. I chose to write From the Darkness as in one of the lectures, the presenter stated, “write about something you know.” After spending 14 years with depression, this was definitely something I knew about. The more I wrote about my experiences, the better I felt. It was like a giant dump of information into a journal.

From the Darkness-Back CoverI took this rough draft of my novel and developed it into a novel. It was published and I ordered copies. When they arrived, I picked up one of the copies and started to cry. My husband asked, “Why are you crying?” and proceeded to hug me. After a few minutes of ruining his shirt with tears, I said, “I did it. I finished my novel.” As I held the book in my hands, I kept expecting it to disappear. I marveled that this goal I had turned into reality.

If you know of someone, family member or friend, who has depression, you need to realize that it’s not something they can just “get over”, or “pull themselves together.” Depression is an illness—a disease that afflicts millions of people—and like most diseases, doesn’t care if you are rich or poor.

In fact, depression does not discriminate at all.

Help! I’m drowning! Or: How much detail is too much?

It’s always an honor and a pleasure to welcome Howard Weinstein, New York Times bestselling author of the new historical novel GALLOWAY’S GAMBLE (releasing September 20, 2017).Galloway's Gamble by Howard Weinstein

Howie, as we call him, has had a long and enviable writing career that includes scores of novels and comic books in the Star Trek universe, three novels from the original V television series, a bio of baseball legend Mickey Mantle, and Puppy Kisses are Good for the Soul, the true story of Howie’s journey to become a professional dog trainer inspired by his adorable Welsh Corgi known as Mail Order Annie.

Howie became a professional writer at age 19, when he sold a script called “The Pirates of Orion” episode to NBC’s Emmy-winning animated Star Trek television series in 1974—while still a college student at the University of Connecticut.

Today, he’s here to chat about research, credibility, and how to avoid being overzealous when including facts in your fiction. Take it away, Howie!


In fiction, details convey credibility—but can there be too much detail? Personally—as both a reader and writer—I say yes. Not all details are created equal.

Moby Dick PosterTake MOBY DICK (please!). Like most of us, I read “The Great American Novel” in school. Like most of us, I recall little beyond “Call me Ishmael.” What I do remember is more from the abridged but vivid 1956 movie (starring Gregory Peck as Captain Ahab). Like most of us, I never read the book again.

But my friend Ross Lally did. His impression: Herman Melville wrote two books—one about Ahab’s obsessive pursuit of the white whale, the other a 19th-century whaling text—and smooshed them together. So the plot literally sails along, until—bang!—long detours about whales and whaling. Even done seamlessly, would less have been more?

Prepping for my first historical novel, GALLOWAY’S GAMBLE (Five Star Publishing, September 2017), I did 6 months of research into the time period (1845-1875)—collecting waaay more detail than I could (or should) ever use. To whittle down that bounty, I asked 2 questions:

1) What would my characters know?

2) What does a reader need to know?

I think fiction has more impact and intimacy when readers see through the eyes of characters, not authors. It’s not the writer’s job to dazzle with vast amounts of scintillating research—just because you found it doesn’t mean you have to use it! Details should be included if they either orient a reader in time and place; or illuminate characters’ lives by affecting what they do, and how and why they do it.                                                     Captain Jean-Luc Picard

For instance: I knew very little about 19th century firearms. So I learned a lot—and discarded most of it. The risk of writing “gear porn”—lovingly-excruciating but ultimately incidental minutiae on a given topic—is that readers who already know it don’t need it, and readers who don’t know probably don’t care, especially if the digression bogs down the story. For my story, when it came to guns, I chose a few things that mattered. The typical six-shooter popular in western movies and TV wasn’t even available until after 1873. Civil War-era black-powder revolvers didn’t use the familiar, pre-made metallic-cartridge ammunition, so they were slow and finicky to load. Repeating rifles weren’t widely available until post-Civil War; the single-shot muzzle-loader muskets used by both sides required soldiers to stand up in order to reload—less than ideal in battle. And the gunpowder of the time produced a great deal of smelly smoke.

Civil War ActorI used those facts because they shaped the story. My narrator Jamey Galloway has a visceral wariness of firearms, and questions the wisdom of standing up to reload a musket when you’re being shot at by the enemy. His older brother Jake is a marksman adept with weapons. And all that musket fire could turn even a minor skirmish into smoke-blind chaos. The details I chose sculpted the characters, in turn influencing their actions (and attitudes) that forged the story.

So, what’s the lesson for writers? A selective dash of the right details can season your recipe—but a deluge can spoil the broth.

Civil War Reenactment

Prepare Yourselves to be Heroically Inspired!

Congrats to fellow wordslinger Michael Critzer on the May 15 release of his new book Heroic Inspirations from Hero House Publishing.

Heroic Inspirations Front Cover

The source material for the book comes from the many classes Michael teaches on superheroes as mythology. Heroic Inspirations will be available in all the usual places and directly from Hero House Publishing.

As a bonus, Michael has collected some of the handouts from one of his courses into a short e-book entitled Heroic Archetypes in the Marvel Cinematic Universe. He plans to give copies of these away to anyone who reviews Heroic Inspirations on Amazon.

Check Michael’s website for details over the next few days and prepare to be inspired…heroically, of course!

Heroic Inspirations Back Cover  Heroic Inspirations Full Cover

 

 

The Write Connections

While at the Write Stuff Conference today, I picked up my dozen copies of The Write Connections, the latest anthology from the Greater Lehigh Valley Writers Group.  It includes my vignette, “Once More with Feeling,” in which a dying man has a final conversation with his guardian angel.

Always excited to add another publication to my bibliography.

 

The Write Connections Paperbacks

 

The Write Connections anthology