Tag Archives: kill zone

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

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This week, Anne R. Allen laments the rise of “dark pattern marketing” by authors who attempt to bully potential readers by invading their privacy.

Dana Isaacson advises us on the effective use of flashbacks while Kristen Lamb reminds us of what it takes to be successful.

Going by the numbers, Jordan Dane expounds seven categories of conflict and Chris Winkle offers six types of climactic turning points. Oren Ashkenazi warns us to be aware of the messages we’re communicating through our writing and Angela Ackerman delves into the repercussions of fear.

All that and plenty more. Enjoy!

Is a “Personal Relationship” with Authors What Readers Want? by Anne R. Allen

How to Write Amazing Flashbacks by Dana Isaacson

Key Types of Conflict: Which One Best Fits Your Story? by Jordan Dane

In It to WIN It: How Committed Are You to Being a Successful Author? Kristen Lamb

Six Types of Turning Points for Climaxes and Filling In Your Story’s Middle by Chris Winkle

Depicting Characters Held Back by Fear by Angela Ackerman

Authorial Endorsement 101 by Oren Ashkenazi

Give Your Reader an Experience by Kathryn Craft

Negotiating Social Privilege as a Writer by Rheea Mukherjee

The Wonders of Your Character’s World View by Jim Dempsey

 

Articles, Blog, Opinion, Writing and Publishing

About This Writing Stuff…

This week on the blog, Jim Dempsey guides us toward inspiration while Kathryn Craft advises us to let it go. Jami Gold helps us with goal setting and John Gilstrap with crafting scenes. Kristen Lamb provides seven elements of self-editing that might just help us save a few bucks when we hire that professional editor later.
Over at Career Authors, Hank Phillippi Ryan discusses cause and effect while Deanna Raybourn navigates the daunting ocean of social media. While we’re on the topic of the web, Anne R. Allen offers tips on crafting strong blog content. Need help writing an effective fight scene? Oren Ashkenazi has detailed advice for you.

All that and a little more… Enjoy!

How to Find Inspiration—Fiction Therapy by Jim Dempsey

When to Let Go of Your Original Inspiration by Kathryn Craft

How Do We Set Goals When Trying Something New? by Jami Gold

On the Joys of Indie Publishing by James Scott Bell

Scene Construction by John Gilstrap

Six Common Mistakes in Fight Scenes and How to Avoid Them by Oren Ashkenazi

First Things First: Does Your Manuscript Defy Physics? by Hank Phillippi Ryan

7 Tips for Social Media Savvy by Deanna Raybourn

How to Write for a Blog: 10 Tips for Writing Strong Web Content by Anne R. Allen

Editing for Authors: 7 Ways to Tighten the Story and Cut Costs by Kristen Lamb

‘Star Trek’/Dr. Seuss Mashup Deemed Copyright Fair Use by Judge by Eriq Gardner

Los Angeles Times Wants Rights to Books Written by Staff by The Authors Guild

Articles, Blog, Craft, Opinion

About This Writing Stuff…

This week on the blog, Ceridwen Dovey expounds the concept of “bibliotherapy” and the restorative power of reading fiction. Kristen Lamb encourages writers to be secret-keepers… and to get more rest. Jami Gold explains what it means to add layers to your characters and Anne R. Allen councils us against worrying too much about plot purloiners.

Over at Career Authors, Paula Munier cites three mistakes by debut writers that potentially exasperate agents and editors while Glenn Miller advises us on how to be trustworthy writers. C.S. Lakin offers tips on preparing your scenes, Sarah Chauncey talks effective use of POV in memoir, and from Mythcreants, Chris Winkle enumerates six manuscript mistakes that a copy editor might (or might not) help you fix.

Enjoy!

Can Reading Make You Happier? by Ceridwen Dovey

Secret-Keepers: Generate Page-Turning, Nerve-Shredding Tension and Rest for Success and Why Busy is Seriously Overrated by Kristen Lamb

Make Characters Unique with Layering by Jami Gold

What if Somebody Steals Your High-Concept Book Idea? by Anne R. Allen

Are You Making One of These Risky Moves for Writers? by Paula Munier

This is What Happens When You Stop Lying to Readers by Glenn Miller

Questions to Consider When Plotting a Scene by C.S. Lakin via Jane Friedman

The Tricky Issue of POV in Memoir by Sarah Chauncey via Jane Friedman

Six Common Wordcraft Mistakes in Manuscripts by Chris Winkle

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Anna Elliott offers three tips for “kicking your readers right in the feels” while Chris Winkle and Damon Suede explore various facets of character. Peter Selgin boils fiction down to two plot types and explains how to introduce foreshadowing in your story’s opening.

Juliet Marillier defines the fantasy genre, Blake Morrison delves into the often distressing burden of managing a deceased writer’s estate, and Olivia Mason presents a top-ten list of best works from one of my all-time favorite writers, Harlan Ellison.

All that and a little more… Enjoy!

3 Tips to Hook Your Reader’s Emotions by Anna Elliott

What Is Fantasy, Exactly? by Juliet Marillier

Take Cover! by John Gilstrap

The Six Traits of Strong Characters by Chris Winkle

Characters: More Than Just Imaginary People by Damon Suede via Jami Gold

How Works of Fiction Can Be Boiled Down to Two Types of Plots and  How Your Story Opening Foreshadows What’s to Come by Peter Selgin

Up in Smoke: Should an Author’s Dying Wishes Be Obeyed? by Blake Morrison

The Best of the Best: 10 Must-Read Works by Harlan Ellison by Olivia Mason

Scam Down Under: Love of Books Brisbane / Julie “Jules” McGregor by Victoria Strauss for Writer Beware

 

Calvin & Hobbes on Writing

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

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This week, Ava Jae looks at simple POV mistakes to avoid, while Jo Eberhart explains the difference between foreshadowing and callbacks and how each can be used in your story.

Over at the Kill Zone, James Scott Bell calls out writing flubs that throw readers out of stories, Mythcreant writer Oren Ashkenazi offers tips on creating immersive fantasy settings, and Susan Perabo expounds a method for developing characters with background and experiences entirely different from your own.

All that and a little more. Enjoy!

10 Books Every Leader Should Read to Be Successful by Deep Patel

Amazon Author Insights – Understand Your Formatting Options by Honorée Corder

Is 99¢ Too Cheap a Price for Your Book? by Dana Isaacson

Different Kinds of POV Slips and How to Avoid Them by Ava Jae

Foreshadowing vs. Callbacks by Jo Eberhardt

Creating Fully Developed Fictional Characters (That Are Not Secretly You) by Susan Perabo

Stuff That Takes Readers Out of a Story by James Scott Bell

Six Tips to Make Your Fantasy Setting More Immersive by Oren Ashkenazi

The New Face of Vanity Anthologies: Z Publishing House and Appelley Publishing by Victoria Strauss

Agatha Christie was Investigated by MI5 Over Bletchley Park Mystery by Richard Norton-Taylor

Snoopy Writing Again

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, James Curnow ponders the detrimental effect of sequels on the original material. Paula Meiner covers the pros and cons of beta readers while Sophie Hannah questions the concept behind the Staunch prize for thrillers that avoid violence against women.

James Scott Bell, Tracy Hahn-Burkett, and Steven James weigh in on the related topics of burnout, frustration, and stressing yourself out over meeting your writing goals. Bottom line: Challenge yourself without killing yourself.

All that and a little more. Enjoy!

12 Books That Destroyed and Rebuilt My Mind by Jordan Bates

Why Good Sequels are Bad Sequels: Blade Runner 2049 and the Building of Worlds by James Curnow

A Short History of South Asian Speculative Fiction: Part I by Mimi Mondal

The Pros and Cons of Beta Readers by Paula Munier

Avoiding Burnout with Strategic Breaks by James Scott Bell

What to Do When Your Creativity Hits the Wall by Tracy Hahn-Burkett

From 2000 to 300—Why You’re Writing Too Much by Steven James

Prize Launched for Thrillers That Avoid Sexual Violence Against Women by Alison Flood

A Prize for Thrillers With No Violence Against Women? That’s Not Progressive by Sophie Hannah

Do Your Characters Talk Too Much? When to Use Indirect Dialogue by Anne R. Allen

Snoopy at the Typewriter