In the year 2023, a revolution is brewing against the alien overlords of Earth known as the Utt. Forty years prior, after their swift and peaceful subjugation of every world government, it had been the Utt’s conclusion that most of planet’s tribulations had been the fault of men. Thus, the Utt enacted laws that made women the dominant sex. All men are required to undergo a procedure that leaves them nearsighted and are forced to wear chemically treated glasses that somehow leaves them emasculated.

However, when Peter Grayson, a physicist for a chemical company, finds both lenses of his rose-tinted glasses cracked, he uses a special transparent tape to repair them—and quickly discovers that his simple repair nullifies the submissive power of the glasses and liberates him from the oppression of his domineering wife.

Shortly after, Grayson finds himself embroiled in the male revolution against the Utt, a situation which he attempts to manipulate for his own personal gain…

I found Renaissance to be the weakest of all Van Vogt books I’ve read so far. Published in 1979, the quality was nowhere near his earlier work. The concept is preposterous and served as little more than an opportunity for a plot laden with blatant and cringeworthy male wish fulfillment. Worse, the prose was clunky and riddled with awkward sentence structure, inelegant wording (ex: “From that very first moment, being scientifically trained, Grayson did his trying-to-understand-with-his-knowledge.”), and scenes that served little to no purpose. Some plot elements that held the promise of an ultimate climax never paid off in the end.

If you want to explore the best works of Van Vogt, avoid Renaissance and read his earlier work such as Slan, The World of Null-A, Voyage of the Space Beagle, The Twisted Men, The Weapon Shops of Isher, and The Weapon Makers, to name a few.