Tag Archives: james scott bell

About This Writing Stuff…

This week, screenwriter Taika Waititi weighs in with morsels of screenwriting (and storytelling) wisdom. Niesha Davis explains the value of sensitivity readers while Allison Williams provides guidance on the effective use of social media. Speaking of which, Philip Athans ponders how much writers need to reveal about themselves online.

Over at Career Authors, Erin Flanagan offers guilt-free advice for those burned out on writing and Paula Munier reviews the rules on POV and how to break them with authority.

All that and a lot more. Enjoy!

Craft a Killer Fantasy Premise Using Good versus Evil by Amy Wilson

What Do Our Readers Need to Know About Us? by Philip Athans

Sweet Emotion by James Scott Bell

10 Pieces of Screenwriting Wisdom from Taika Waititi by Ken Miyamoto

Hiding Your Villain in Plain Sight by Sarah Penner

Being the Boss of Your Author Business by Karen A. Chase

The Daring Writer’s Guide to Point of View by Paula Munier

Burnt Out on Writing? 5 Tips for a Productive Break by Erin Flanagan

Nine Ways to Describe Your Viewpoint Character by Chris Winkle

Writers, Stop Using Social Media (Like That) by Allison Williams via Jane Friedman

Don’t Self-Publish a Book Before Answering These Crucial Questions by J.J. Hebert

Ten Years of Self-Publishing (2012-2022) by Alliance of Independent Authors

What to Expect When Hiring a Sensitivity Reader by Niesha Davis via  Leigh Shulman’s blog.

 

About This Writing Stuff…

This week’s lineup bring us several “how-to” articles including writing diverse and developed characters, marketing your book without social media, and outlining your novel (or not).

Is writing for TV better than writing feature films? Ken Miyamoto discusses. Confused about when and how to use a Framing Device in your story? Britton Perelman explains.

Jennie Nash explores the importance of asking yourself why you feel compelled to write that story that’s been bouncing around in your head. Over at Sidebar Saturdays, Matt Knight delves into estate planning for writers while at the Kill Zone, James Scott Bell argues on behalf of going exclusive with KDP and Kindle Unlimited.

All that and a little more. Enjoy!

Elevator Pitching: How to Grab Someone’s Attention in 30 Seconds or Less by David Young

How to Write Diverse Characters (And, Also, Are You Qualified?) by Joiya Morrison-Efemini

How to Create Characters by Kristen Overman

Why Writing TV is Better than Writing Feature Films (and Why it’s Not) by Ken Miyamoto

Everything You Need to Know About Framing Devices by Britton Perelman

Sequencing and Layering: Advanced Techniques That Will Improve Your Writing by Kevin Nelson

Why Write This Book? by Jennie Nash via Jane Friedman

How to Market Your Book Without Social Media by Carol J. Michel

Warning to Writers: You Won’t See This New Publishing Scam Coming by Anne R. Allen

How to Outline Your Novel. Or Not by Hank Phillippi Ryan

On Going Exclusive by James Scott Bell

Estate Planning for Writers by Matt Knight

Estate Planning for Writers Part II – Transferring Intellectual Property to a Corporate Entity by Matt Knight

World-Building Through Architecture by Dave King

 

 

About This Writing Stuff…

This week, Ruth Harris offers sage advice on writing that ever daunting blurb. Over at the Kill Zone, James Scott Bell carves out a middle ground for plotters and pantsers while PJ Parrish ponders what comes first, plot or character.

Speaking of characters, Donald Maass encourages us to create fully realized characters by first being real with ourselves. Rebecca D’Harlingue offers advice on dual-timeline plots, Steve Myers argues that our protagonist’s outer journey is fundamentally an inner journey, and Barnes and Noble’s restructuring might be the comeback story of the year.

All that and little more. Enjoy!

How to Improve Your Writing Skills: Take Your Writing from Good to Great by Nicole Dieker

How to Write the D*mn Blurb by Ruth Harris

Writing About the Pandemic—or Not? by Paula Munier

Plot or Character: What’s Your Starting Point? by PJ Parrish

Five Questions to Ask Before Starting a Dual Timeline Novel by Rebecca D’Harlingue

Plotting for Pantsers and Pantsing for Plotters by James Scott Bell

B&N Rides a Wave of Positive Trends by Jim Milliot

Have Print ARCs Become a Hot Commodity? by Weronika Strzyżyńska

The Inward Path of the Protagonist’s Journey by Scott Myers

Purple Prose and the Word Surgeon’s Scalpel by Tom Bentley

Creating Character Safety Zones by Donald Maass

About This Writing Stuff…

This week, Shanee Edwards offers advice on creating a powerful antagonist while James Scott Bell teaches us practical thaumaturgy for conjuring short stories.

Brian Andrews explains the importance of self-editing and developmental editing, while mythcreant Chris Winkle delves into crafting effective descriptions.

Joslyn Chase steps us through ten  ways to add foreshadowing, and Porter Anderson discusses the dangers of self-censorship.

All that and little more. Enjoy!

 

5 Tips for Negotiating Your Author Agreements by Joseph Perry via Anne R. Allen

Writing Rising Action by Linda S. Clare

A Love of Mystery is Woven into Our Biology, and Edgar Allan Poe was the First to Find the Formula for a Very Specific Dopamine Hit by Jonah Lehrer

7 Tips for Writing Bad Ass Antagonists by Shanee Edwards

The 3 Pass Rough Draft—Embracing Editing (Part I) by Brian Andrews

Developmental Editing —Embracing Editing (Part II) by Brian Andrews

Dialog and POV by Philip Athans

Creating and Resolving Conflict in Your Novel by Clare Langley-Hawthorne

The Alchemy and the Craft by James Scott Bell

What Do Writers Need to Describe? by Chris Winkle

Flights of Self-Censorship by Porter Anderson

Foreshadowing: 10 Clever Methods to Write an Engaging Plot Twist by Joslyn Chase

 

About This Writing Stuff…

This week, James Scott Bell offers practical advice on crafting stronger scenes. At Writer Unboxed, Donald Maass examines what it means to write authentic characters while Kathryn Craft urges us to elevate our descriptions from the prosaic to the extraordinary.

Lincoln Michel sheds light on nearly every facet of being a professional writer, Janice Hardy discusses character agency, and over at TIME, Megan McCluskey exposes the career-damaging extortion and fraudulent book reviews running rampant on Goodreads.

All that and a lot more. Enjoy!

Everything I’ve Learned About Being a “Professional” Writer in One Post  by Lincoln Michel

How Extortion Scams and Review Bombing Trolls Turned Goodreads Into Many Authors’ Worst Nightmare  by Megan McCluskey

Three Easy Ways to Strengthen a Scene  by James Scott Bell

4 Ways to Develop Character Agency  by Janice Hardy

Aim for the Extra in the Ordinary  by Kathryn Craft

6 Twisty Ways to Trick Your Reader  by Dana Isaacson

How to Avoid Repeating ‘I’ in First Person Writing  by Louise Harnby

How to Bring History Alive in Your Fiction  by Dana Cameron

The Walking Stick  by Donald Maass

From Mary Shelley to Carmen Maria Machado, Women Have Profoundly Shaped Horror  by Danielle Binks

 

About This Writing Stuff…

It has been three weeks since my last blog post. How the hell did that happen? Well, I’ve been stretched thin as of late with my FT job, a few expensive home renovations, health problems, managing eBay auctions (the time has come to downsize), and yes, writing projects.

I have a short story in progress for a contest, the second draft of my SF novel awaits my attention after that, and I’m waiting to hear back from two small presses on short stories I submitted to them. I’m also scheduling a book signing or two for a speculative fiction anthology I just released with a group of fantastic writers and I’m reviewing a presentation on self-editing that I wll be giving to a local writers group on Monday evening (24 May).

However, the fact that I’ve been neglecting my blog has been gnawing at me, so here we go!

This week, Steve Hooley reviews several sites for serialized fiction, including Kindle Vella, while Jodie Renner discusses close and deep third person POV.

Mary Alice Monroe and KL Burd use fiction to raise awareness of environmental issues and social issues, respectively, while Philip Athans offers advice on blending SF, fantasy, and horror. James Scott Bell provides tips on increasing productivity, Terry Odell delves into crafting character descriptions, and Kathryn Craft wages war against the lame apology.

All that and much more. Enjoy!

Serialized Fiction and Vella – What Do You Think? by Steve Hooley

Tips for Deepening the POV in Your Fiction by Jodie Renner

Weaving Real-Life Environmental Issues into Your Fictional World by Mary Alice Monroe

Fantasy and/or Science Fiction and/or Horror by Philip Athans

The Five Things You Need When Writing a Mystery Novel by Melodie Campbell

6 Practical Business Tips for Authors to Market Their Story of Success by Taylor Payne

7 Tips for Producing More Words by James Scott Bell

Character Descriptions Part I by Terry Odell

Character Descriptions Part II by Terry Odell

Why Bookshop.org is Not the Savior the Book World Needs by Ellen Peirson Hagger

The Magic Number by Todd Sattersten

Legal Protection for Fictional Characters by Matt Knight

Kick Your Story Up a Notch by Knowing Your Character’s Conflict Style by Kelsey Allagood

Unapologetic Characterization by Kathryn Craft

Incorporating Social Issues Into Your Manuscript by KL Burd