Tag Archives: paula munier

About This Writing Stuff…

This week, the folks at Good Story Company offer tips on writing active protagonists, realistic dialogue, and child characters.

Juliet Kemp discusses the basics of strong prose while Diana Urban provides a guide to social media for writers. How effective are author newsletters and what are the reasons to use them? Bookbub’s AJ Jack provides metrics and testimonials to answer all of your questions.

On the business side, Lauren Aratani spotlights Barnes and Noble’s second wind while David Barnett examines the often painful reality of being a debut author.

All that and a little more. Enjoy!

Authors on Social Media: Choosing Platforms and Avoiding Burnout by Diana Urban

Writing an Active Protagonist by Michal Leah

Tighten Up Your Writing by Juliet Kemp

Tips for Writing Child Characters by Good Story Company

Amazon Doesn’t Care About Books: How Barnes & Noble Bounced Back by Lauren Aratani

Writing Realistic Dialogue by Michal Leah

State of the Author Newsletters: Data from 500+ Authors by AJ Jack

Debut Authors Find Publishing ‘Disappointing’ — Sorry, What Do They Expect? by David Barnett

Writing Is Much Too Important to Be Left to Copywriters by Mike Reed

Know Your Story’s Selling Points by Paula Munier

About This Writing Stuff…

This week, screenwriter Taika Waititi weighs in with morsels of screenwriting (and storytelling) wisdom. Niesha Davis explains the value of sensitivity readers while Allison Williams provides guidance on the effective use of social media. Speaking of which, Philip Athans ponders how much writers need to reveal about themselves online.

Over at Career Authors, Erin Flanagan offers guilt-free advice for those burned out on writing and Paula Munier reviews the rules on POV and how to break them with authority.

All that and a lot more. Enjoy!

Craft a Killer Fantasy Premise Using Good versus Evil by Amy Wilson

What Do Our Readers Need to Know About Us? by Philip Athans

Sweet Emotion by James Scott Bell

10 Pieces of Screenwriting Wisdom from Taika Waititi by Ken Miyamoto

Hiding Your Villain in Plain Sight by Sarah Penner

Being the Boss of Your Author Business by Karen A. Chase

The Daring Writer’s Guide to Point of View by Paula Munier

Burnt Out on Writing? 5 Tips for a Productive Break by Erin Flanagan

Nine Ways to Describe Your Viewpoint Character by Chris Winkle

Writers, Stop Using Social Media (Like That) by Allison Williams via Jane Friedman

Don’t Self-Publish a Book Before Answering These Crucial Questions by J.J. Hebert

Ten Years of Self-Publishing (2012-2022) by Alliance of Independent Authors

What to Expect When Hiring a Sensitivity Reader by Niesha Davis via  Leigh Shulman’s blog.

 

About This Writing Stuff…

This week, Paula Munier offers advice on transitioning from writing nonfiction to fiction while Anne R. Allen reminds us that self-publishing is serious business. Anne’s article has a few points in common with Sue Coletta’s tips on maintaining etiquette in the writing community.

TD Storm discusses the pros and cons of using filtering language, Alison Flood delves into the effects of cancel culture in publishing, and Kathryn Craft explains how we can increase tension in our stories through the eyes of an observer.

Oh, I almost forgot—Hanna Mary McKinnon provides tips on crafting characters with amnesia.

All that and much more. Enjoy!

How to Write About Amnesia by Hanna Mary McKinnon

Your Nonfiction is Showing by Paula Munier

Self-Publishing is a Business: Don’t Treat it Like a Childish Game by Anne R. Allen

To Filter or Not to Filter by TD Storm

What is DRC and How to Make it Work for You by IndieReader

Writing Community Etiquette by Sue Coletta

Six Ways to Add Stakes to a Mystery by Chris Winkle

Publishing’s Debate over Cancel Culture by Alison Flood

Managing a Motif by Dave King

Heighten Tension with a Watcher by Kathryn Craft

Character Description: 6 Tips from Stephen King’s Memoir by David Safford

Bringing a Character to Life by Barbara Linn Probst

The Unintended Consequences of a Lack of Setting by Amanda Patterson

 

 

 

About This Writing Stuff…

This week, Debbie Burke lists a dozen ways to tighten our prose while Jael R. Bakari provides an insightful guide to story development.

Dana Isaacson offers advice on keeping track of our story’s timeline, Paula Munier shows us ways to make readers fall in love with our protagonists from the first scene, and Chris Winkle discusses why some protagonists are unlikeable.

If you’re perplexed by the true meaning of premise, let Larry Brooks clear up the confusion and explain how the facets of premise should be applied to every story.

All that and a little more. Enjoy!

12 Tips to Write Tight by Debbie Burke via Anne R. Allen

Suspense in Books: 6 Ways to Grow Anticipation by Now Novel

Charting a Fictional Timeline by Dana Isaacson

Writing Process: Developing a Coherent Story by Jael R. Bakari via Jami Gold

The Grand Entrance: How to Introduce Your Protagonist so that Readers Care by Paula Munier

Seven Common Reasons Protagonists Are Unlikable by Chris Winkle

Why I Actually Prefer Stories with Prologues by Vaughn Roycroft

How to Start Writing Again When You Haven’t in a While by Sarah Gribble

How to Use Vivid Verbs to Bring Your Scenes to Life by J.D. Edwin

How to Mine the Facets of Premise for Story Gold by Larry Brooks

How to Use Simple Psychology and Basic Common Sense to Sell More Books by Barb Drodzowich via Anne R. Allen